THMPSN, an Australian-born Phonk producer, DJ, and violinist, has carved out a singular house within the music world by mixing his classical coaching with the uncooked vitality of underground Phonk. From acting at prestigious venues throughout Europe to changing into a viral sensation in america, THMPSN’s journey is marked by his skill to seamlessly merge magnificence with grit. His newest collaboration with Dragon Boys on “VIOLINO DA BRUXARIA” showcases this expertise, fusing conventional Brazilian rhythms with darkish, atmospheric phonk components. We have been fortunate sufficient to take a seat down with the producer himself in an unique interview to delve into THMPSN’s evolution as an artist, the inspiration behind his newest initiatives, and his imaginative and prescient for the longer term as he continues to push the boundaries of style and tradition in his music. Try the interview under and you’ll want to stream the act’s spectacular new single as effectively.
You’ve had a various musical journey beginning with classical coaching and worldwide excursions. How has your classical background influenced your present work within the phonk style?
My background in classical music has considerably influenced my work within the Phonk style by permitting me to include violin melodies and craft a particular sound that most individuals wouldn’t count on. By mixing classical melodies with Phonk components, I’m creating one thing actually distinctive and completely different.
Are you able to share the story behind the creation of “VIOLINO DA BRUXARIA” and the way the collaboration with Dragon Boys happened?
I linked with the Dragon Boys on Instagram and immediately beloved their model and Brazilian Phonk. From there I created a Brazilian Phonk observe, despatched it to them, they usually recorded their vocals. I then completed the observe by including violin. It was an awesome expertise, and the method flowed easily.
The music video for “VIOLINO DA BRUXARIA” has a vibrant, car-culture-inspired aesthetic. How did you give you the idea for the video, and what was the expertise like directing it?
The music video was shot at my buddy’s automotive store, the place I’m at the moment having two basic automobiles constructed. Since Phonk is intently linked to the automotive scene, I need to incorporate as many automobiles as doable in my music movies to actually stand out within the style.
Brazilian phonk particularly seems to play a major function in your artwork – what components of Brazilian music do you discover most compelling, and the way do they affect your sound?
I like the sound of Brazilian Phonk, particularly the massive, gritty synths. I actually get pleasure from creating these sounds and crafting melodies in that model.
You’re on a mission to carry phonk into the mainstream. How do you see the present state of the style in our tradition, and the way do you see phonk rising sooner or later?
Phonk continues to be very a lot underground proper now, however I’m working arduous to create visuals that match the style and assist carry it into the mainstream.
Trying again at your journey from Australia to Las Vegas and your evolution as an artist, what has been probably the most pivotal second in your profession up to now?
Coming to America and assembly Neil Strauss was a game-changer for me. He had many big-name musicians coming out and in of his home, they usually confirmed me that being a violinist may imply a lot extra than simply enjoying in an orchestra. On the time, my mindset was very restricted—I felt misplaced with out sheet music. However from that have, I realized learn how to improvise and realized there have been no guidelines; I could possibly be inventive and do no matter I wished.
INTERVIEW: Rising Artist THMPSN Talks New “VIOLINO DA BRUXARIA” Single, Phonk, Classical Background + Extra
