Monday, March 31, 2025

Anthrax drummer says Spotify is the place “music goes to die”

Anthrax drummer Charlie Benante has shared his ideas on streaming inside the music business and why Spotify is “the place music goes to die”.

Benante, who has been with the thrash steel band for 4 many years, not too long ago spoke to The Irish Occasions, the place he was requested how a lot the music business has modified during the last 40 years.

The drummer replied: “There isn’t any music business. That’s what has modified. There may be nothing any extra. There are folks listening to music, however they don’t seem to be listening to music the best way music was as soon as listened to.”

Anthrax’s Charlie Benante. Credit score: Roy Rochlin/Getty Photographs

He continued, increasing on the half digital streaming has needed to play: “The business of music was one in every of issues hit the worst and no person did something about it. They simply let it occur. There was no safety, no nothing. Subconsciously this can be the rationale why we don’t make data each three years or no matter as a result of I don’t need to give it away free of charge.

“It’s like I pay Amazon $12.99 a month and I can simply go on Amazon and I can get no matter I would like. It’s mainly stealing. It’s stealing from the artist – the individuals who run music streaming websites like Spotify. I don’t subscribe to Spotify. I believe it’s the place music goes to die.

“We’ve got the music on there as a result of we now have to play together with the fucking recreation, however I’m uninterested in taking part in the sport. We get taken benefit of probably the most out of any business. As artists, we now have no well being protection, we now have nothing. They fucked us so dangerous, I don’t know the way we come out of it. You’d most likely earn more money promoting lemonade on the nook.”

anthrax 40th anniversary livestream
Anthrax. CREDIT: Joseph Okpako/Getty Photographs

Charlie Benante was then requested if he helps Metallica suing Napster within the early 2000s: “They had been completely proper about it. You see the place it went. All these individuals who stated, ‘fuck Metallica, they’re wealthy bastards’. They had been defending their artwork, their mental property in order that some asshole doesn’t come alongside and take your artwork. They make the cash whilst you simply make the artwork and also you simply give it away.”

Benante’s feedback come after Spotify CEO Daniel Ek’s controversial feedback earlier this yr about about the price of “creating content material”.

In late Could, Ek – who additionally co-founded Spotify – made feedback implying that it’s simpler and extra inexpensive than ever to create “content material” because of trendy expertise. “Immediately, with the price of creating content material being near zero, folks can share an unimaginable quantity of content material. This has sparked my curiosity concerning the idea of lengthy shelf life versus quick shelf life,” he wrote.

Evidently, his feedback had been fast to spark a response from throughout the net group, with numerous music lovers and musicians coming ahead to criticise the CEO as being “out of contact”.

Daniel Ek, CEO of Swedish music streaming service Spotify. CREDIT: TORU YAMANAKA/AFP through Getty Photographs

Daniel Ek walked again his put up, explaining in an apology that he had no intention of dismissing the struggles confronted by musicians and utilizing the “reductive” label of “content material”, and as a substitute “was most enthusiastic about exploring was how, on this setting of fixed creation, we are able to determine and be certain that the daring, thrilling, world-changing concepts and items of artwork don’t get misplaced within the noise.”

A part of the criticism in direction of Ek’s newest feedback could have additionally stemmed from the current reviews that Spotify have made report earnings of over €1billion (£860m) – following workers being laid off and subscription costs rising.

It additionally got here following the information that the streaming service had formally demonetised all songs on the platform with lower than 1,000 streams. The coverage was launched on April 1, however had been deliberate by the platform for a while. It was rapidly criticised for making it more durable for artists to generate royalties from their music and limiting new artists seeking to crack the music business.


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