A single Black Friday title — Taylor Swift’s Goal-exclusive bodily editions of The Tortured Poets Division: The Anthology — has despatched TTPD hovering again to the highest of the Billboard 200.
Kevin Winter/TAS24/Getty Photographs for TAS Rights Mana/Getty Photographs North America
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Kevin Winter/TAS24/Getty Photographs for TAS Rights Mana/Getty Photographs North America
Vacation staples and Kendrick Lamar‘s GNX are nonetheless storming this week’s Billboard charts, as they mix to lock down eight of the week’s Prime 10 songs. However the vacation that is had the best influence on this week’s Billboard 200 albums chart is not Christmas, however Black Friday. That is as a result of a single Black Friday title — Taylor Swift’s Goal-exclusive bodily editions of The Tortured Poets Division: The Anthology — has despatched TTPD hovering again to the highest of the Billboard 200 for a sixteenth nonconsecutive week, practically eight months after its preliminary launch.
TOP ALBUMS
Final week, Kendrick Lamarposted a decisive No. 1 debut following the shock launch of his new album, GNX. The album was a blockbuster proper out of the gate, with streaming numbers so sturdy he wound up touchdown seven of the week’s Prime 10 singles — together with your entire Prime 5 — all by himself, with little assist from gross sales or radio airplay. It was the form of efficiency that portends a future on the prime of the charts, as streaming tends to beget extra streaming.
One week later, as anticipated on this area, he is already been knocked out of the highest spot. Taylor Swift seized on the season’s second-most-lucrative vacation, Black Friday, and soared from No. 8 to No. 1 due to the first-ever bodily launch of The Tortured Poets Division: The Anthology — that is the epic model of Swift’s album that prolonged its monitor record from 16 to 31 songs. Should you wished a replica of the total 31-song set on vinyl or CD, you could not get it till Black Friday, and you might solely rating a replica at Goal.
This, as with most issues Taylor Swift has touched this aspect of the Cats film, proved to be a large success: The album registered 405,000 “equal album models” — Billboard‘s metric for the cocktail of gross sales and streaming that informs its Billboard 200 rankings — which blows previous even the blockbuster quantity (319,000) posted by Lamar’s GNX final week. Along with her $2 billion Eras Tour closing this previous Sunday, Swift’s victory lap now features a sixteenth nonconsecutive week on the prime of the charts for the yr’s greatest album.
Unsurprisingly, GNX slips solely a single spot, to No. 2 — and that album is hardly struggling, provided that three of its songs stay within the Prime 10. (Extra on that under.) And, talking of juggernauts, the Depraved soundtrack additionally slips only one spot, from No. 2 to No. 3.
Juice WRLD debuts at No. 4 with The Celebration By no means Ends; that album is the late rapper’s third launch to debut within the Prime 5 since his loss of life in 2019. (All six of Juice WRLD’s albums have hit the Prime 5, and totally half of them have come out posthumously.) And, talking of posthumous returns to the Prime 10, Bing Crosby has simply registered his first Prime 10 album in 64 years: A brand new compilation referred to as Final Christmas, which assembles a few of the legendary singer’s best-loved vacation music, jumps from No. 18 to No. 9.
Rounding out the Prime 10, Sabrina Carpenter‘s Brief n’ Candy dips from No. 3 to No. 5, Billie Eilish‘s Hit Me Arduous and Tender slides from No. 5 to No. 6, and Michael Bublé‘s Christmas re-enters the Prime 10, climbing from No. 12 to No. 7. Chappell Roan‘s The Rise and Fall of a Midwest Princess rises from No. 10 to No. 8, whereas Tyler, The Creator‘s CHROMAKOPIA tumbles from No. 4 to No. 10.
TOP SONGS
Should you’ve grown weary of Mariah Carey‘s 1994 vacation staple “All I Need for Christmas Is You,” take a deep breath. As a result of it is again in an enormous method, hovering from final week’s spot at No. 10 — a chart determine deflated by the seven new Kendrick Lamar songs that debuted above it — all the best way to No. 1. It is the track’s sixth straight yr hitting No. 1, which is a document, to say the least. (Just one different track has even two distinct stays atop the chart in numerous years: Chubby Checker’s “The Twist,” which hit No. 1 in 1960 and 1962.)
The songs that appear likeliest to problem Carey’s reign within the weeks to return, Brenda Lee‘s “Rockin’ Across the Christmas Tree” and Wham!‘s “Final Christmas,” rise to No. 2 and No. 3 from No. 15 and No. 18, respectively. The Wham! track, particularly, appears to have generated a little bit of momentum — it is the monitor’s fortieth anniversary this yr, and No. 3 marks its new all-time chart peak — so it isn’t out of the query that it might displace “All I Need for Christmas Is You” sooner or later this season, as Brenda Lee did for just a few weeks final yr.
Three of Lamar’s songs are nonetheless rattling round within the Prime 10, as “TV Off (feat. Lefty Gunplay)” slips from No. 2 to No. 4, “Luther (feat. SZA)” slides from No. 3 to No. 6, and “Squabble Up” tumbles from No. 1 to No. 7. Given the sheer pressure of the vacation surge, that is awfully spectacular. And, talking of the vacation surge, Bobby Helms’ indestructible “Jingle Bell Rock” — I ought to know, I’ve tried to kill the track myself — bounds from No. 19 to No. 5, whereas Burl Ives’ “Holly Jolly Christmas” leaps from No. 33 to No. 10.
Two previous reliables are nonetheless hanging in there, too, as Shaboozey’s “A Bar Tune (Tipsy)” — which stays tied for an all-time document 19 nonconsecutive weeks at No. 1 — dips from No. 6 to No. 8, and Girl Gaga and Bruno Mars‘ “Die With a Smile” slides from No. 7 to No. 9.
WORTH NOTING
One of many yr’s greatest chart-adjacent tales has revolved round Shaboozey’s quest for the all-time longest run at No. 1 on the Billboard Sizzling 100 — which, as famous above, has stalled out at 19 weeks, which ties the document set by Lil Nas X‘s “Outdated City Street (feat. Billy Ray Cyrus)” in 2019. Each runs are outstanding, however additionally they converse to how dramatically the Billboard charts have modified within the streaming period. Each songs have been massively widespread by any metric, however few would argue that they are the 2 greatest singles within the historical past of the charts, you recognize?
Both method, it is nearly inevitable that they are about to be left within the mud, almost certainly someday in late 2025 — and it isn’t out of the query that the all-time document might wind up nearly out of attain, and earlier than you would possibly suppose.
This week, as chronicled above, Mariah Carey’s “All I Need for Christmas Is You” returns to No. 1 on the Billboard Sizzling 100 for the sixth straight yr. However that solely takes us again to 2019; earlier than that, the 1994 monitor spent loads of time on the charts, reaching as excessive as No. 3, but it surely by no means topped the Sizzling 100 outright till 5 years in the past. (Vacation songs sometimes did not.)
This week marks the fifteenth week at No. 1 for “All I Need for Christmas Is You,” following a number of multi-week runs within the prime spot from 2019 to 2023. In 2023, the monitor shared the vacation season with “Rockin’ Across the Christmas Tree,” which rode a surge of TikTok placements and a brand new official video to 3 weeks atop the Sizzling 100. (Naturally, “All I Need for Christmas Is You” spent all three of these weeks at No. 2.)
After this week, there are three extra Sizzling 100 charts which can be positive to be flooded with vacation songs — and which latest chart historical past suggests shall be topped by both “All I Need for Christmas Is You,” “Rockin’ Across the Christmas Tree” or this yr’s darkish horse, “Final Christmas.” If Carey tops all three of them, which thus far feels seemingly, that can prolong her nonconsecutive run at No. 1 to 18 weeks — one wanting the all-time document held by Shaboozey and Lil Nas X.
Round this time subsequent yr, although, all bets are off. And by 2026 or 2027, we could possibly be a document that appears principally untouchable, regardless of how a lot streaming algorithms prolong the life spans of our hit songs.
