I am nothing if not the prime viewers for a very good Victorian-era interval piece. Possibly it was my bizarre childhood obsession with Jack the Ripper, or the truth that I grew up on the precise proper time to expertise Man Ritchie’s Sherlock Holmes motion pictures as formative items of cinema. I can’t pinpoint the precise motive, however level me within the route of some bustles and grand mustaches, and I’m all in.
It is the identical motive that I used to be initially drawn to the idea of Hulu’s A Thousand Blows, which hails from interval drama titan Steven Knight, the person behind the success of Peaky Blinders. The sequence follows three key figures in London’s underground within the late nineteenth century: Hezekiah Moscow (Malachi Kirby), contemporary off the boat from Jamaica together with his buddy Alec (Francis Lovehall), Henry “Sugar” Goodson (Stephen Graham), a bare-knuckle boxer who guidelines the underworld with a bloody fist, and Mary Carr (Erin Doherty), the chief of the Forty Elephants, an actual all-female gang that operated in London from the 1870s to the Nineteen Fifties. Their intertwined journeys take them from the dankest of locations to the celebrated West Finish of London, as every character searches for fortune, fame, and revenge in equal measure.
‘A Thousand Blows’ Creates a Numerous London
Whether or not you are predisposed to interval dramas or not, my first piece of recommendation can be to look at this present with subtitles on. Between the East Finish accents — each genuine and feigned — and Kirby and Lovehall’s immaculate Jamaican patois, I understood possibly 70% of what was happening, with the opposite thirty % misplaced to the sound of fists assembly faces and my very own auditory processing dysfunction. A Thousand Blows is a loud present, filled with bluster and large proclamations that are inclined to overshadow its rarer, softer moments, however I’d anticipate nothing much less from Knight.
In its makes an attempt to color an image of late nineteenth-century London, A Thousand Blows conjures up a complete host of characters to populate the East Finish, extra numerous by half than most reveals trying an analogous premise. Along with Mary, Hezekiah, and Sugar, we meet a number of seedy figures, together with Mr. Lao, proprietor of the inn the place Hezekiah and the Elephants keep, Sugar’s brother, Treacle, and varied and varied members of the Elephants. The sheer quantity of the present is bolstered by simply how many individuals we meet over the course of the sequence, every with their very own clear loyalties and nasty habits.
However aside from Daniel Mays making transient appearances because the delightfully Cockney bartender-slash-ringmaster Punch, Graham is basically the one one who appears like a correct East Finish lad. He’s been taking part in them because the starting of his profession, all the way in which again to the Paul McGann car Downtime, the place he performed a minor hoodie who terrorizes a tower block. (It’s value noting that that movie additionally starred Susan Lynch, who options right here as Mary’s mom. All they’re lacking is a McGann, which is a disgrace since there are 4 to select from.) It’s virtually his bread and butter, and it comes as no shock that he’s probably the most compelling of the lot, a presence that feels grounded in comparison with his co-stars’ naive bluster.
Even then, it doesn’t really feel like he’s been given very a lot to work with. Possibly it’s all of the mind cells he’s misplaced from being repeatedly pounded within the head, however Sugar is so single-minded that it usually turns into boring to look at — all he needs is Hezekiah useless, and with no option to get to him, Sugar’s simply spinning his wheels for a lot of the plot, which is a disgrace, since he’s simply the very best actor of the lot.
Sadly, ‘Peaky Blinders’ Comparisons Are Inevitable With ‘A Thousand Blows’
Inevitably, and maybe particularly with Graham round, this present goes to attract comparisons to Peaky Blinders. I’m one of many few who lasted only some episodes earlier than bailing on the favored Netflix sequence, however even then, the similarities are evident. Knight’s fingerprints are throughout this present, and Mary looks like a much less polished model of Tommy Shelby, although all of the chew goes out of it once you notice that it’s not all that completely different from different reveals which have come earlier than.
On the very least, Peaky Blinders had the distinct benefit of taking issues out of London — away from town we’ve seen one million instances, away from the hustle and bustle that stays the identical irrespective of the century. Against this, Knight’s new sequence falls prey to a generic sheen that settles over the story from its first moments — masking any of the grit the present tries to create for its characters, smoothing out their pores and skin to Hollywood-perfect, regardless of the pigsties they reside in, and making the false sounds of their accents even stronger.

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‘A Thousand Blows’ Tells an Incomplete Story
The sequence’ largest drawback, nonetheless, is its lack of focus. A Thousand Blows is described as being in regards to the Forty Elephants, a gang so infamous it lasted for the higher a part of a century. Doherty even takes middle stage within the sequence’ posters, however the ultimate product affords her little payoff. Splitting focus between three leads makes it arduous to essentially up the stakes for anybody, but it surely’s particularly disappointing by way of the Elephants, who’re simply as fascinating a bunch of criminals as the true Peaky Blinders, if no more so. Is it as a result of they’re girls that the sequence doesn’t see match to make them the first focus of the present? Or was it simply that troublesome to think about a bunch of ladies so profitable they survived in some kind for eighty years that different characters had been wanted to fill within the gaps?
Even when both of these statements is true, there’s one other challenge hanging above A Thousand Blows’ head that I didn’t notice would even be an issue till I reached the top of Episode 6. With out spoiling any of the particular plot, the sequence leaves off on a cliffhanger, earlier than chopping to a “to be continued” stinger that includes footage of what’s to come back. It seems that we’re solely seeing half the story, since what’s premiering on Hulu this month is solely the primary half of two seasons. Might it’s that, at any time when the second season lands, any points with the present’s focus is perhaps resolved? It’s totally attainable. To the present’s credit score, with a second season already accomplished, it’s going to keep away from a standard challenge with most main streamers and their behavior of constructing a two to four-year wait between seasons an everyday incidence, but it surely nonetheless appears like we’re being left hanging.
Maybe, when Season 2 does present its face, I’ll really feel otherwise. I’ve been mistaken earlier than, and for all my gripes, A Thousand Blows does handle to face out as a largely competent interval piece in a sea of Bridgertons crammed with anachronistic eyeshadow and an unwillingness to decide to the bit. I’ve been instructed numerous instances that you must get by means of the primary season of Peaky Blinders earlier than issues actually get good — and possibly that’s the case right here too.
A Thousand Blows premieres February 21 on Hulu.

A Thousand Blows
Steven Knight’s Peaky Blinders follow-up is simple enjoyable, however fails to pack the identical punch.
- Launch Date
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February 21, 2025
- Community
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Disney+
- The present’s lead stars are enjoyable and interesting, if underserved, notably Stephen Graham.
- For a interval piece, the sequence’ forged is way extra numerous than we have come to anticipate.
- The present lacks focus, pulling consideration away from plotlines in an try and juggle too many.
- We’re solely getting half a narrative, which signifies that it is robust to evaluate a lot of the inventive decisions.