Fuerza Regida’s 111XPANTIA, which simply hit No. 2 on the Billboard chart, now holds the best chart place within the historical past of regional Mexican music
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Randy Holmes/Disney/Getty Photographs
Dangerous Bunny‘s DeBÍ TiRAR Más FOToS and Fuerza Regida’s 111XPANTIA maintain down the No. 1 and No. 2 spots on this week’s Billboard 200, making this the primary week in historical past with Spanish-language albums within the chart’s high two spots. Over on the Scorching 100 singles chart, Kendrick Lamar‘s “Luther (feat. SZA)” sits at No. 1 for a twelfth straight week, whereas Shaboozey and Teddy Swims both set or lengthen a pair of all-time information.
TOP ALBUMS
Final week, the Swedish hard-rock band Ghost landed its first-ever No. 1 album, as Skeletá debuted within the high spot. This week, Skeletá drops to No. 58, because it makes means for a brand new milestone: For the primary time within the historical past of the Billboard 200 — which dates all the best way again to 1956 — Spanish-language albums maintain the chart’s high two spots.
On high is a file that is been there earlier than: Dangerous Bunny’s DeBÍ TiRAR Más FOToS zips from No. 7 again to No. 1, due to the album’s first-ever launch on vinyl. The Puerto Rican singer made copies accessible for practically $30 a pop completely through his webstore and shipped practically 48,000 information through the chart’s eligibility interval. That was sufficient to ship DeBÍ TiRAR Más FOToS to No. 1 for a fourth nonconsecutive week.
Although Dangerous Bunny is not any stranger to No. 1, the album at No. 2 now holds the best chart place within the historical past of regional Mexican music. Fuerza Regida’s 111XPANTIA‘s debut at No. 2 surpasses the mark set by Peso Pluma’s Génesis, which debuted — and peaked — at No. 3 again in 2023. (That album has been on the chart for 98 weeks now, and nonetheless sits at No. 89.)
Fuerza Regida has landed on the Billboard 200 many occasions earlier than: 111XPANTIA is its sixth album to crack the chart, with its predecessor (2023’s Pa Las Child’s y Belikeada) reaching No. 14. However that is the primary week in its profession that the California band has reached the highest 10.
Elsewhere on the chart, the standard suspects spherical out the highest 5 — SZA, Morgan Wallen, Kendrick Lamar — whereas rapper Key Glock lands his fourth-ever high 10 hit, as Glockaveli enters the Billboard 200 at No. 8.
TOP SONGS
Over on the Scorching 100 singles chart, the milestones are all longevity-based. Kendrick Lamar’s “Luther (feat. SZA)” holds off Alex Warren‘s fast-rising “Peculiar” for one more week, which makes it 12 consecutive weeks for 2025’s largest music to this point. That streak units a file for [takes deep breath] the longest-ever run at No. 1 by a duet between co-billed solo women and men, breaking its tie with 1997’s “I will Be Lacking You,” which discovered The Now-On-Trial Artist Previously Identified As Puff Daddy working alongside Religion Evans, with an added help from 112.
Okay, while you kind it out like that, it does not look like that huge a milestone. However on a chart with as little motion as this one, we’ll take what we will get. And 12 weeks at No. 1 is a hell of a run, even within the streaming period.
In any other case, this week’s high 10 represents a shuffling of final week’s high 10, albeit with a couple of all-time information value noting. For one, Shaboozey’s “A Bar Music (Tipsy)” has simply damaged the file for many weeks within the high 5 — 45 weeks! — because it surpasses The Weeknd‘s 44 weeks within the high 5 with “Blinding Lights” again in 2020 and 2021. For an additional, Teddy Swims’ “Lose Management” extends its file for the most-ever weeks within the high 10, with 61. It is now been on the Scorching 100 for 90 weeks, which locations it only a week away from tying the all-time file set by Glass Animals‘ execrable “Warmth Waves” again in 2021 and 2022 (a.okay.a. the worst years). Even for these whose relationship with “Lose Management” has gone from indifference to Stockholm Syndrome to resentment and again round to indifference, it is gonna really feel good to see “Warmth Waves” erased from the file books.
WORTH NOTING
In assembling its weekly charts, Billboard takes many elements into consideration, together with gross sales, streaming, radio airplay and social-media attain through apps reminiscent of TikTok. It is a difficult formulation.
With all these elements coming into into the equation, it is too straightforward to lose sight of an extra — and downright huge — think about driving an artist’s recognition: touring.
Final 12 months, it was unimaginable to overlook the superior energy of Taylor Swift as a touring juggernaut. Her Eras Tour did not simply gross billions of {dollars} as she landed most of her albums on the Billboard 200 all 12 months lengthy. She additionally helped spark huge profession progress (and perennial chart placement) for her varied opening acts — Benson Boone, Sabrina Carpenter and Gracie Abrams amongst them.
In 2025, the significance of touring might be felt within the Billboard 200’s high 5 — the place blockbuster tourmates Kendrick Lamar and SZA have taken up residence week in and week out — in addition to within the chart’s decrease reaches, the place Beyoncé has been surging within the wake of her Cowboy Carter tour’s launch on April 28. In simply the previous few weeks, the album has risen from No. 193 to No. 64 to No. 54, as followers have attended her reveals, posted to social media and in any other case pushed renewed curiosity within the Grammys’ reigning album of the 12 months.
After all, a lack of touring might be equally consequential. Within the run-up to the long-awaited launch of Bon Iver‘s new album SABLE, fABLE, singer Justin Vernon introduced that he’d forgo touring in 2025, citing a mixture of fatigue and anxiousness round stay efficiency. The transfer was each comprehensible and admirable: Extra artists ought to have the chance to guard their psychological well being in such a fashion.
However the lack of touring as a promotional car comes with a price. 4 weeks in the past, SABLE, fABLE debuted on the Billboard 200 at No. 11. The next week, it plunged to No. 142. Final week, it fell off the chart completely.