Helped alongside by theatricals together with Bridget Jones: Mad Concerning the Boy, Paddington in Peru and We Stay in Time, revenues in Canal+’s content material and distribution division rose by greater than 8% per the French main’s first quarterly outcomes for the reason that London Inventory Alternate (LSE) itemizing.
The division, which includes Studiocanal and Dailymotion, noticed turnover rise 8.2% to €158M ($180M) for the three months ending March 31.
Maxime Saada’s outfit cited the trio of flicks that had been “extremely profitable throughout a number of geographies.” Canal+ added that Dailymotion’s income continues to develop at a double-digit fee because of “ongoing efforts to broaden business footprint and programmatic community.”
Studiocanal and Dailymotion’s income elevated by excess of the general Canal+ group, which was up 1.5% organically or down 2.5% when it comes to reported numbers to round €1.54B general. The reported numbers included “the closure of some non-profitable wholesale contracts,” based on the outcomes. European natural development nudged upwards to €1.15B and Africa/Asia was down 2.3% to €267M because the MultiChoice acquisition rumbles on. “The method of acquiring merger management clearance from the South African competitors authorities and different related regulatory processes are ongoing,” stated the outcomes.
The outcomes are the primary to publish since Canal+’s headline-grabbing transfer to record on the LSE. Its share worth has since been underneath the microscope however stays sticky, opening this morning at £1.72 ($2.30) per share, means down on its opening £2.90 on December 16, which instantly slid and has barely recovered. As of as we speak, Canal+’s market cap was £1.7B.
Saada stated: “2024 was a pivotal yr for Canal+ as we achieved a number of key strategic milestones. Within the first quarter of 2025, we continued to construct on this momentum, shifting in direction of our purpose of turning into a worldwide media and leisure chief, supported by robust monetary self-discipline.”
Over the last quarter, the corporate additionally handed new duties to now-Chief Content material Officer Anna Marsh, finance boss Amandine Ferré and Jacques du Puy, who’s now accountable for the World PayTV division that has introduced collectively Canal+’s pay-TV manufacturers underneath one umbrella.
