ABV Gallery companions with Middle for Puppetry Arts for whimsical pop-up exhibition

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ABV Gallery companions with Middle for Puppetry Arts for whimsical pop-up exhibition

The Middle for Puppetry Arts’ Professor Pöschl puppet — from the Atlanta Opera’s ‘Tesla vs Edison’ — loomed over the group at ABV Gallery. (Pictures by Dustin Timbrook)

Puppets from Pete the Cat on the Middle for Puppetry Arts. ({Photograph} by Dustin Timbrook)

On June 21, ABV Gallery hosted opening receptions for 3 exhibitions: Locals Solely, that includes Georgia-themed artworks by greater than 80 native artists; Via the Lens, highlighting 4 photographers, and an unconventional however becoming partnership with the Middle for Puppetry Arts. A handful of puppets on mortgage from the Middle are displayed in the primary gallery, whereas the constructing’s west annex shows an informative assortment of images and movies documenting the historical past and mission of the Middle. 

The appending puppetry exhibit feels very very similar to an add-on somewhat than a full integration — 4 modest puppet shows dwarfed by 4 large partitions of work — however the impulse for these organizations to collaborate is sensible. ABV is a gallery constructed on subverting the norms of fantastic artwork by uncommon subject material and various processes. In the meantime, the Middle for Puppetry Arts proudly displays work broadly thought of to be “child stuff” as fantastic artwork. Unpretentiousness and sensible approaches to creation are the hyperlinks that bind these separate Atlanta establishments: Each organizations heart artwork made for everybody and by any means crucial.

Towering over guests within the heart of the primary gallery, essentially the most imposing puppet on show is Professor Pöschl, a larger-than-life character designed by Jason Hines for the Middle’s Tesla vs Edison stage present. The scowling tutorial’s uncovered clockwork mind and accusing skeletal digits trace at a darkish story of ingenuity and dying — apt themes for Hines, an artist whose occupation requires countless invention to create the phantasm of life. 

Hines’ work options prominently all through the pop-up exhibit within the type of Pete the Cat puppets in the primary gallery and documentary media within the west annex. It’s a well-deserved showcase for somebody who has helped form the look of puppet theater in Atlanta for greater than 20 years — a resident builder on the Middle since 2002, earlier than moving into the function of inventive director in 2024.

Along with creating dozens of mechanically refined and emotionally endearing characters for the Middle over time, Hines lately designed and oversaw building of an enormous multi-headed dragon for The Atlanta Opera’s manufacturing of Siegfried. This 10-foot-tall monster named Fafner, a photograph and placard within the exhibit explains, required seven puppeteers to carry to life.

After all, no point out of the Middle — or puppetry itself — can be full with out Jim Henson. The pop-up at ABV gives only a small style of the unbelievable assortment of Henson creations viewable on the Middle, together with a sharp-toothed reptilian suitcase, Speaking Baggage, that appeared on season three of The Muppet Present.

On the partitions

It’s simple to think about the hyperlink of affect from Henson to any one of many pop-culture impressed artists concerned in ABV’s major exhibit, Locals Solely, however maybe none extra so than painter Colin Sims whose oil titled An Orderly Switch reveals a demure, green-clad MARTA passenger accompanied by goofball Muppet-esque figures. Are these creatures toys, dormant hand puppets, or are we to grasp them as residing fellow riders? The narrative stays ambiguous, however Sims’s nod to the 20 th century’s most influential puppeteer is specific. 

Any direct reference to puppetry in Locals Solely ends there, however a unifying inventive ethos prevails between the Middle and the gallery. ABV is a high-end gallery that by no means deserted its road artwork roots, and the items that really shine typically make use of untraditional supplies and radical strategies. Aerosol? Animal bones? Cardboard? Epoxy resin? No matter medium helps inform the artist’s story makes the lower.

Take, for instance, Amberly Hui Hood who stitches collectively thick chewing gum-like smears of brightly coloured silicone right into a scrumptious patchwork for her piece, Dragnonfruit. Extra eye-catching colour may be discovered throughout the room in Peter Ferrari’s Andre, a swirling jigsaw portrait pieced along with layers of spray-painted MDF. 

Material itself receives an analogous “something goes” therapy in Locals Solely, the spare content material pointers being that the work ought to draw from “Georgia’s vibrant tradition, layered historical past, and distinctive landscapes.” Painter Artetak in some way meets all of those standards whereas protecting issues pointedly lowbrow with Billy Bob Fritter, a cutesified homage to the animatronic nation sheriff from Six Flags Over Georgia’s Monster Mansion darkish journey. Based mostly on a viewer’s historical past with the theme park this easy picture would possibly conjure heat nostalgia, uncanny nightmares, or a timeline of adjusting cultural norms. Both approach, the warning on Fritter’s signal, “STAY OUTTA THA MARSH,” is uniquely related to the Georgia expertise.  

Essentially the most excessive encapsulation of ABV’s love for rule-breaking is evidenced in artist BIGTEEFF’s piece, Road Wings, which encases precise hen bones onto a canvas painted to resemble litter-strewn asphalt. Hen bones are a well known sight to anybody who has stepped foot exterior in Atlanta. Right here, literal trash – so acquainted as to be endearing and popularized by native meme tradition – is enshrined in resin and elevated to collector standing.

Some artworks problem viewers’ expectations of fine style, whereas others seemingly mock the viewers themselves. One last, vital piece of the Middle’s pop-up exhibit hides in plain sight as if taking part in a joke on patrons. Excessive above the primary gallery, staring down in any respect the gawkers under, The Muppet Present’s Statler and Waldorf puppets cackle from their balcony window. “Don’t take your self so significantly, artwork snobs,” they appear to say, “as a result of we positive don’t!”

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Dustin Timbrook is a inventive generalist working in artwork, movie and music. He volunteers on the board of administrators for Avondale Arts Alliance. Timbrook loves spending time together with his household, taking part in with canine and gardening.


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